In what ways does your media product use, develop or challenge forms and conventions of real media products?
For my media trailer I chose to stick to the conventions of real horror products and follow them rather than challenge them. This is explained previously in the project. Conventions that I followed were typical of this genre such as the protagonist being an innocent girl, and the killer being a male, creating, Good Vs Evil and Male Vs Female tension and the outcome is that good defeats evil. A very common concept in Horror films is isolation, to create this we only cast two characters in the trailer, to keep the verisimilitude of the isolated helplessness we filmed in an empty house and empty alleyways and fields.
The editing has been done effectively as it works in the same way as most horror trailers, picking up pace, making the audience jump, and creating tension. Following Freytag's triangle. To create this the footage was cut into short scenes, and using stretch tool to create suspense. I think the use of an instrumental Evanescence song in this trailer gives a chilling effect on the viewer, the music fits in time with the trailer.
For the magazine cover and poster I feel we have kept in with the conventions of real horror products through the use of colours, imagery lighting and chiaroscuro. The use of black, white, dark blue (and poison pen) are typical colours used in horrors, they portray darkness contrasting with innocence. The image of the female character is pale and with the smudged running make up demonstrates she's been through trauma, behind her is a hooded figure with a blacked out face which intrigues the audience as to why is his identity hidden? The killer in many horror films identity is often hidden with masks, large hoods, or balaclavas etc. The poison pen fits into our trailer as the use of poison pen is present. Also the font used is a trademark movie font used in majority of film posters, its simple to use with each lower case letter providing a role that has been used in the film such as Directed by..---
The magazine cover is a typical film magazine its title indicates film with the use of 'That's A Wrap', this is often said at the end of making a film, so is very fitting to be the masthead of a film magazine providing up coming films, just released films etc. Keeping in the theme of films we used a film role to place images in the spaces of films that are inside. Like every magazine sold the date, barcode and price are present as well as an issue number for those who collect or miss an issue they can catch up. The lighting of the image highlights the wide eyes of the character filled with fear capturing the audiences attention.
How effective is the combination of your main product and ancillary texts?
The combination of my main product and ancillary texts work very well, they have particular parts of the trailer interlocking them associating them as the same film. Individually the trailer, poster or magazine cover are not enough to promote the film effectively. They are seen in different aspects of media from magazine to bus stops/buses and to cinema screens. Using each product the film reaches a wider audience. The colours used in each of these products relate together, the blue background, the paleness of the skin, as well as the mise en scene. The settings used for the background of the film poster was a location we found whilst filming, its an alley way through the trees, its dark and scary which was ideal for our poster, the background shot was taken at night so little colour effect was needed to create the dark blue, the shots of the characters were taken separately. The way the killer is standing behind the female is very similar to a shot in the trailer where she looks behind her whilst running. The magazine cover was also shot in the same location as we filmed, in the house. However with the colouring it black this is unrecognizable. However we used a different shot we took on the day of taking these photos so the same eye make up was the same, along with a similar expression. Down the left hand side of the magazine in the film strip you there is the a close up image of the female protagonist on the film poster. Each of these tie the three individual products together.
What have you learnt from your audience feedback?
Audience feedback throughout this project has shaped the outcome of our products, the majority of our feedback was positive with more ideas suggested by the audience. Which we tried to use and develop on to create a wider audience. However one criticism we found creeping up was that unlike real media trailer which create tension and disequilibrium by not flowing in order of events in the film. Ours ran in order from start to finish. This is why we cut and changed footage in an order that was more effective of telling the story and building suspense. This was after adding further footage as the trailer ended too abruptly this has taught me to continuously film the same footage at different angles, more to choose from than limited for choice. One large criticism was our previous name title Agoraphobia, this caused some confusion amongst some of the audience trying to work out what the phobia was. This taught us to keep it simpler, use a title that fits better with the contents of the trailer. We asked a sample group of 20 if they proffered the new title 'Love Kills' over 'Agoraphobia' 100% voted for 'Love Kills'.
This project has familiarised me with the programme Adobe Premier Pro, the programme was easy to use with lots of clearly labelled tools and functions to produce a proffesional video. The tools mainly used as mentioned previously were, the razor, the stretch tool and the click and drag tool as well as many effect functions. One problem I did encounter with the audio part of the programme was that in my case the audio track could not be placed on audio 1 to 6, meaning our track was on the last possible line of audio meaning that we couldn't cut, mute and play other music over it, we had to use one track only. This problem could not be overcome with the help of any of our teachers, however I feel that this didn't overly effect our final product. Premier Pro was not the only programme I used I also used Photoshop to create the magazine cover and movie poster. I was already familiar with this program as this is what I used to create my coursework at AS. I used a variety of the tools with different layers to create the final products. To produce my research I used the internet to research different theories proposed by various people using google, further information on film Noir, these theories were then used in planning and construction of our trailer. This informatio was then uploaded to my blog constantly keeping up to date with work. I used Powerpoint to create a pitch for our film which was presented to our class. To put this presentation on my blog I had to upload it to ScribD where I created my account this was helpful as its an easy way to display alot of information quickly , this was the same to put my video on Youtube to get it on my blog. In the construction part of my coursework I used my camera to upload images onto my blog a long with scanning images in. As well as using the video camera to film footage, which the files were then copied to the computer and uploaded to Premier Pro.
Overall I feel that my project was a success based on the audience feedback. Any changes have been made and I feel there is nothing further I could have done to improve our products.
Sarah Cordwell A2 Media
Feedback
Once the footage had been filmed and into the editing process I showed a group of people what was edited so far and asked if they liked it, if so why? what could be added and what could be changed? This was because the people watching our trailer were our target audience therefore listening to their advice would make it more appealing.
Overall they liked it they said the build up was good, however once the action starts it was over too quickly with the final shot running into the camera, it didn't have a solution at the end like many horrors, referring back to Freitags triangle of equilibrium etc. As I felt the same I sort after a camera to add more footage on the end to come to a solution, or an apparent ending which hides the mystery of the story still so it draws in the audience. This bit of footage was the disposing of the knife, creating questions in the audiences mind, did he kill her? Why's he throwing the knife away?
Our film was originally called Agorophobia, however I thought it was a bit of a mouthful to say so once again I turned to my audience firstly I asked them if they liked the name, many responded with what does that mean? Agorophobia is defined as having a phobia of wide open un familiar places, however it can also be described as the fear of no easy means of escape, which roughly correlated to our film as the girl can't escape the torment and chase. I asked a few people on a social networking site the same question, they were up to date with their knowledge of phobias or they googled the name and replied with' it doesn't fit the plot of your movie.' ( I told them the plot previously.) Pondering over themes of the film the title can relate to the idea of love sprung to mind, this soon lead onto the new title 'Love Kills' which is shorter easier to pronounce and a bit more sinister.
Feedback on magazine and poster.
To receive feedback for both the above we used two groups, one who had seen the trailer and then shown the products and the other who were only shown the products. The overall feedback was that they liked the colours that were used on the poster and cover, those who had seen the trailer loved the idea of using the same type of lettering as the trailer, (continuity) those who hadn't seen the trailer would soon understand why it was used, similarly those who watched the trailer liked the magazine cover using the shot of her reading a letter re-arranged to hold the poster of what's in the magazine. Referring back to my magazine analysis's and magazine layouts the preferred look was with simple text and images on the front page, the less cluttered the better, which is exactly what was achieved with the magazine cover, the only text except the masthead, header and footer is information on the film, promoting it as it's mainly the only bits of text to read, other text uses alliteration which I think makes it unique. When thinking of a masthead we went through possible names that clearly state the use of film, the use of Wrap was clever as at the end of film on the set the director stereotypically calls "That's a Wrap". Which ties perfectly with a film magazine. The use of the film strip was picked out by a few people as clever and clearly displaying it's a film magazine.
Overall they liked it they said the build up was good, however once the action starts it was over too quickly with the final shot running into the camera, it didn't have a solution at the end like many horrors, referring back to Freitags triangle of equilibrium etc. As I felt the same I sort after a camera to add more footage on the end to come to a solution, or an apparent ending which hides the mystery of the story still so it draws in the audience. This bit of footage was the disposing of the knife, creating questions in the audiences mind, did he kill her? Why's he throwing the knife away?
Our film was originally called Agorophobia, however I thought it was a bit of a mouthful to say so once again I turned to my audience firstly I asked them if they liked the name, many responded with what does that mean? Agorophobia is defined as having a phobia of wide open un familiar places, however it can also be described as the fear of no easy means of escape, which roughly correlated to our film as the girl can't escape the torment and chase. I asked a few people on a social networking site the same question, they were up to date with their knowledge of phobias or they googled the name and replied with' it doesn't fit the plot of your movie.' ( I told them the plot previously.) Pondering over themes of the film the title can relate to the idea of love sprung to mind, this soon lead onto the new title 'Love Kills' which is shorter easier to pronounce and a bit more sinister.
Feedback on magazine and poster.
To receive feedback for both the above we used two groups, one who had seen the trailer and then shown the products and the other who were only shown the products. The overall feedback was that they liked the colours that were used on the poster and cover, those who had seen the trailer loved the idea of using the same type of lettering as the trailer, (continuity) those who hadn't seen the trailer would soon understand why it was used, similarly those who watched the trailer liked the magazine cover using the shot of her reading a letter re-arranged to hold the poster of what's in the magazine. Referring back to my magazine analysis's and magazine layouts the preferred look was with simple text and images on the front page, the less cluttered the better, which is exactly what was achieved with the magazine cover, the only text except the masthead, header and footer is information on the film, promoting it as it's mainly the only bits of text to read, other text uses alliteration which I think makes it unique. When thinking of a masthead we went through possible names that clearly state the use of film, the use of Wrap was clever as at the end of film on the set the director stereotypically calls "That's a Wrap". Which ties perfectly with a film magazine. The use of the film strip was picked out by a few people as clever and clearly displaying it's a film magazine.
Editing
Editing
Once the footage was copied onto the mac and Adobe premier pro was opened and imported the stream of clips I dragged them into the video bar and started to cut and re-arrange clips, using the razor tool to cut and the selection tool to move them, the zoom in and out made for more precise.
To make clips shorter I used the rate stretch tool to shorten the length of the clip, this can be used to lengthen clips also.
To insert a title.
To capture the green screen, I opened up a trailer on Youtube paused and print screened the image using shift apple control and 4, this then saved onto the desktop where I imported it and dragged onto video bar and re-adjusted the size and rendered it.
In our trailer we used many fade to blacks this was achieved by going onto video transitions, dissolve, dip to black.
youtube - youtube converter -- import drag to audio
To get the audio we used youtube as it has a variety of options of music to then retrieve the mp3 we converted the file and downloaded it to then import.
To achieve the 'SCORPION EYE' I used the same step as creating the title.
Step 1: Background
To help us conjure up a plot days before this project started we went out and took photos of possible locations for our film to be set. This image is an ideal image to be used as our film poster as it leads into darkness with trees creating an arch as if they are creating a tunnel into the darkness.
Once the footage was copied onto the mac and Adobe premier pro was opened and imported the stream of clips I dragged them into the video bar and started to cut and re-arrange clips, using the razor tool to cut and the selection tool to move them, the zoom in and out made for more precise.
To make clips shorter I used the rate stretch tool to shorten the length of the clip, this can be used to lengthen clips also.
To insert a title.
To capture the green screen, I opened up a trailer on Youtube paused and print screened the image using shift apple control and 4, this then saved onto the desktop where I imported it and dragged onto video bar and re-adjusted the size and rendered it.
In our trailer we used many fade to blacks this was achieved by going onto video transitions, dissolve, dip to black.
youtube - youtube converter -- import drag to audio
To get the audio we used youtube as it has a variety of options of music to then retrieve the mp3 we converted the file and downloaded it to then import.
To achieve the 'SCORPION EYE' I used the same step as creating the title.
Step 1: Background
To help us conjure up a plot days before this project started we went out and took photos of possible locations for our film to be set. This image is an ideal image to be used as our film poster as it leads into darkness with trees creating an arch as if they are creating a tunnel into the darkness.
We decided that the colour
scheme of our poster should be predominantly blue and white to create an eerie moonlit feel.
To make the photograph more suitable we adjusted the hue and saturation of the photo and tinted it blue. At this stage the photo seemed too light so we made a black background and adjusted the opacity to about 26% then added a dark vignette border which is common in a lot of horror film posters and can give the effect of something emerging from the darkness. This will also help the main image of the protagonist stand out.
In the last day of filming we took photos of the two characters appearing in this trailer. The female protagonist who is played by Helen Palmer and the intruder portrayed by Joe Phipps. We took a lot of different photos and out of about 20 we decided this one was best for Helen's character. Her face is serious and looks directly into the camera, her hair is messy but is kept out of her face so it stands out more. The eye make-up is smudged and uneven to give the impression she has been crying or panicking. Firstly, we used the magic wand tool to remove as much of the background as possible which was easy because of the contrast of dark hair on a yellow wall. We then cut around more precisely with the lasso tool with a high feather so her hair blends into the dark background and looks as realistic as possible.
These three images show the stages of development from the original cut out of Helen to the one which we used on the poster. In the second image I used the clarify tool and set the maximum number of 20.0 which emphasises the shadows which were already there making her face look slightly more sunken. I then duplicated the layer, added a blue hue then altered the opacity to very low so the skin seems pale and cold. In the final image I have used the warp brush to make her head narrower and a darkening brush under the eyes and on the cheek bones to give a gaunt almost skeletal look. The corners of her mouth have been altered to remove any hint of smile that might have been in the photo and her lips have been made pale and thin.
Analysis of Film Posters
Layout.
The first two posters have the actors in the role of their characters in the centre. These are the protagonists, therefore it makes sense for them to appear on the poster. However the third poster is an exception to this and if you have seen the film you will become aware of why. The use of the landscape and not use of actors still makes the audience wonder why are there many cars but no people? Which are similar questions audiences ask themselves when looking at the other posters, why is this woman being dragged to hell? why has she only got 3 days? Similarly they may ask why is this man wearing a mask and carrying a weapon? Each poster has its own captions, Friday the 13th's caption- 'Welcome to Crystal Lake' is at the top, so in theory you will see the caption before the person this shows that this is the location where this character either lives or strikes. Drag Me To Hell- 'Christine brown has a good job, a great boyfriend and a bright future, but in three days she's going to hell' is under Christine but above the title of the film. The happening captions are in the clouds which read; 'We've seen it, We've seen the signs, Now.. it's Happening' as this is in the large dark clouds may indicate that what ever is happening is to do with the clouds or nature. These all arise questions intriguing the viewer. The images used are in continuity of the film, what you see on the poster is what happens or a result of what happens in the film, with Friday the 13th the character is dressed in dark clothing which will blend in the background of the dark woods once out of moonlight, which is currently behind him surrounded in fog, gives the effect of eeriness, holding the weapon displays the character as the villain in the film,this is reiterated as he is wearing a mask to hide their identity. For the 'Drag Me To Hell' poster in the background there are homes, this connotes that this isn't a girl lost in the woods type of horror the horror occurs in civilised area. You can clearly see by her expression she is in pain this is emphasised by the hands or rotten flesh, this is also a sign of hell as well as the fire at the bottom of the page. Finally the image in 'The Happening' poster is of abandoned cars either side of the road with large dark clouds in the sky, the image doesn't consist of much but the meaning is deeper.
Typical of many movie posters the name of the film is at the bottom of the poster, this is because the image commonly takes up the majority of the page, these are typical conventions of a film poster. This is because looking at a poster from top to bottom the title is the last thing you see. In some posters instead of writing un-familiar producers they display other films the viewer of this particularly movie may have seen, for example, ' from the producers of the Texas Chainsaw Massacre.' The font used at the bottom of the first two posters is a universal font, majority of movie posters you find have the same font, if the lower case of letters are used a different job involved in filming is used fir example, director is created by just one letter. The release date is also at the bottom of posters directly under the name of the film so you know what to see and when to see it.
Target Audience
Our magazine will be made so that it targets all audiences, it will feature films from all genres, new releases and all time classics as well as animated films. Creating this wide audience more people will be interested in buying the product as you get more for your money than buying one type of genre.
Magazine layout feedback
To distinguish which layout my partner and myself would use, we looked at the results of my questionnaire, out of my 3 designs the first two drew with equal number of 12 votes each. Therefore I will design my layout with features of both of these, to reach out to my audience.
Magazine layout 1
Magazine layout 2
Magazine layout 1
Magazine layout 2
Magazine layout 3
When I interviewed a few people into why they picked they preferred the first two layouts to the first the response was because of; they liked the main image in the centre of the page, with the first layout I was told they liked to see more of the main image, with a little information of what's inside. Others liked the second layout because the smaller images interest them as it displays different genres inside. The third layout received the fewest number of votes, I asked why this was and people replied with the long list of what's inside.
Empire magazine analysis
Empire is in a white font over-ridded with the electric blue featured in the center of 'Iron Man'. The colour creates the sense of strong forces of electricity.
The date, issue and price is in the space between the 'M' this is in the same place in every issue, this is where existing customers will expect to find it.
This also goes with the website always being placed under the 'E'
The background is plain black contrasting well with the white font, no attention is subtracted from the character. The film the character is from is written across the chest, sticking to blue and white, (these colours contrast well against the red suit) under this is a tagline, which refers to the previous prequel with writing the 'same attitude' suggests the audience have seen the first film, however looking at the rest of the line, the audience know they can understand what happens.
Empire aims to attract customers with large images taking over the majority of the page. Often the image covers over a letter of the masthead typically this letter is 'P' and sometimes 'I' as the images are nearly always central to the page.
Under the prodominent image there is 'Plus Three Amazing Exclusives' encourages readers to see what they have to say about the below films.
Along the bottom is a wide footer giving insight into what else is inside as the majority of the cover has been used. Next to each image of a character from a film is the name of said film and a few words to encourage further reading.
The barcode is up the right hand side in the corner, this isn't conventional for Empire magazine, the barcode is often where ever there is enough space to put it but they are always in the bottom half.
The pug sticks with the colour scheme of blue and white. Those who are interested in films will be attracted to this as they review films of 2009. It's elevated above the image not touching anything, because of this it attracts some more attention than it would if it was piled next to a list.
The line next to the image introduces the character.
Fangoria magazine analysis
Fangoria, is a magazine deadicated to horror films. The font is clear and outlined in red to stand out, this may represent blood. The price is small under 'Horror Video', as it's so small its possible that they are not trying to attract new customers but continue selling to their already established customers.
The colour scheme in this magazine consists of a few colours, red, white, yellow, green, blue and orange.
'Best and Bloodiest' contrasts in yellow font against the black, following the blue 'presents'.
'Horror Video' is in red outlined in yellow mixing with the title and the previous caption.
With the black background it's possible to see a clear close up shot of freddy, a horror movie icon. There is no background distracting you, the large image takes up 2 thirds of the cover suggesting that he is one of the main features.
The corner's cut off, covered by yellow strip saying new horror video guide attracting buyers.
There are 3 smaller images in white boxes representing TV's. These have characters from other horror films inside of them that are featured inside the magazine.
The writing colours alternate from white, yellow, blue and orange, this livens up the black background the headings are white underlined in green, all these colours attract buyers as there's a lot of writing it would be too plain to have in just one colour.
Like most magazines the barcode is on the bottom of the cover up the left hand side.
Max Payne film magazine analysis
Max Payne Film magazine.
The prominent image is a large image of the main character in a snap shot of the film Max Payne. It's made to look as if the gun is pointing towards the buyer.
The masthead is in contrast to the background colour of
dark night sky in white.
Total is in 'F' the word total signifies to the audience that it caters to all different genres of films inside the magazine. This is the magazines house style, as is printing the date, issue number, price and website as nothing obstructs this view.
The colour scheme on this issue are yellow and white font. The yellow text is anything that isn't featured in the magazine e.g. "Plus" isn't what is inside but underneath this in white is a list that's featured. The plus contrast with black and white.
The font of MAX PAYNE is different to the rest of the magazine standing out having it in the middle clearly shows, the text relates to image.
Quite often with large images the text is on the bottom half of the page, this is so the picture is clear and not cluttered with information. To slice the information displayed on the cover further, the footer clearly displays what's inside the magazine without going into too much detail. To separate the words every other words is in bold font. The bar-code is always in the bottom half of the cover, in this issue it's vertical up the left hand side in other issues it's horizontal.
The prominent image is a large image of the main character in a snap shot of the film Max Payne. It's made to look as if the gun is pointing towards the buyer.
The masthead is in contrast to the background colour of
dark night sky in white.
Total is in 'F' the word total signifies to the audience that it caters to all different genres of films inside the magazine. This is the magazines house style, as is printing the date, issue number, price and website as nothing obstructs this view.
The colour scheme on this issue are yellow and white font. The yellow text is anything that isn't featured in the magazine e.g. "Plus" isn't what is inside but underneath this in white is a list that's featured. The plus contrast with black and white.
The font of MAX PAYNE is different to the rest of the magazine standing out having it in the middle clearly shows, the text relates to image.
Quite often with large images the text is on the bottom half of the page, this is so the picture is clear and not cluttered with information. To slice the information displayed on the cover further, the footer clearly displays what's inside the magazine without going into too much detail. To separate the words every other words is in bold font. The bar-code is always in the bottom half of the cover, in this issue it's vertical up the left hand side in other issues it's horizontal.
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